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Add the result to your basket Make a suggestion Refine your search Apply to external sourcesSIU Thesis. Vocal Technique Processing and Performance of Works Based on Vocal Music Psychology / Shuguang Liu / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Vocal Technique Processing and Performance of Works Based on Vocal Music Psychology Material Type: printed text Authors: Shuguang Liu, Author ; Kovit Kantasiri, Associated Name ; Thanaphan Boonyarutkalin, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 223 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-60
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Music --Psychological aspects
[LCSH]Singing
[LCSH]Singing -- Methods
[LCSH]Singing -- Therapeutic use
[LCSH]Singing --Instruction and studyKeywords: Vocal Music Psychology, Vocal Technique, Vocal Performance Abstract: Vocal music learners and workers can only have a more comprehensive understanding of their psychological and physiological states during singing by following the general rules of vocal music psychology and combining them with their own individual rules. Only by analyzing the positive and negative psychological states that arise in singing from a professional perspective and mastering good psychological regulation methods can one truly find effective ways to improve one’s professional abilities. From a historical perspective, it has been nearly forty years since Xu Xingxiao proposed the establishment of the discipline of vocal music psychology in 1987. During this period, research on Chinese vocal music psychology has achieved certain results. However, from a practical point of view, at present, most domestic vocal music teachers still pay more attention to skill training than psychological education in the process of vocal teaching. They focus on physiological training and pay less attention to psychology. Some teachers recognize the important role of psychological guidance in vocal teaching, but they mainly rely on experience teaching and have not yet formed a complete and systematic guidance system.
Based on this understanding, this research takes the vocal technique processing and performance of works in vocal music singing as the research object, and uses qualitative research and quantitative research based on the research perspective of vocal music psychology to investigate the vocal technique processing and performance of works of singers in the perspective of vocal music psychology. Use research methods such as literature review, historical research, comparative analysis, and music aesthetics to examine the specific factors that affect the vocal technique processing of singers and the performance of works. Through surveys and interviews with vocal music learners, vocal music teachers, and expert professors,
combined with existing research results, this paper analyzes and discusses the psychological factors that affect the vocal technique processing and performance of works by singers. It is believed that imagination, memory, attention, personal emotions, and personal willpower can have an impact on the questions involved in this study. By collecting first-hand information and data through the distribution of questionnaire surveys, and analyzing the research data, it has been proven that the five independent variables mentioned above are closely related to the performer’s vocal technique processing and performance. On this basis, analyze the psychological process and individual psychological characteristics of vocal performers in the specific singing process, discuss the role of vocal performance psychology in performers’ practice and singing, and explain how to combine the principles and methods of vocal music psychology with vocal practice.
This study aims to conduct an in-depth exploration of the principles and methods of vocal music psychology, providing theoretical support and practical guidance for current vocal practice. Vocal practice requires continuous absorption of new theories, concepts, and methods in order to generate more high-level teaching and performance talents in the future world.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28678 SIU Thesis. Vocal Technique Processing and Performance of Works Based on Vocal Music Psychology [printed text] / Shuguang Liu, Author ; Kovit Kantasiri, Associated Name ; Thanaphan Boonyarutkalin, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 223 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-60
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Music --Psychological aspects
[LCSH]Singing
[LCSH]Singing -- Methods
[LCSH]Singing -- Therapeutic use
[LCSH]Singing --Instruction and studyKeywords: Vocal Music Psychology, Vocal Technique, Vocal Performance Abstract: Vocal music learners and workers can only have a more comprehensive understanding of their psychological and physiological states during singing by following the general rules of vocal music psychology and combining them with their own individual rules. Only by analyzing the positive and negative psychological states that arise in singing from a professional perspective and mastering good psychological regulation methods can one truly find effective ways to improve one’s professional abilities. From a historical perspective, it has been nearly forty years since Xu Xingxiao proposed the establishment of the discipline of vocal music psychology in 1987. During this period, research on Chinese vocal music psychology has achieved certain results. However, from a practical point of view, at present, most domestic vocal music teachers still pay more attention to skill training than psychological education in the process of vocal teaching. They focus on physiological training and pay less attention to psychology. Some teachers recognize the important role of psychological guidance in vocal teaching, but they mainly rely on experience teaching and have not yet formed a complete and systematic guidance system.
Based on this understanding, this research takes the vocal technique processing and performance of works in vocal music singing as the research object, and uses qualitative research and quantitative research based on the research perspective of vocal music psychology to investigate the vocal technique processing and performance of works of singers in the perspective of vocal music psychology. Use research methods such as literature review, historical research, comparative analysis, and music aesthetics to examine the specific factors that affect the vocal technique processing of singers and the performance of works. Through surveys and interviews with vocal music learners, vocal music teachers, and expert professors,
combined with existing research results, this paper analyzes and discusses the psychological factors that affect the vocal technique processing and performance of works by singers. It is believed that imagination, memory, attention, personal emotions, and personal willpower can have an impact on the questions involved in this study. By collecting first-hand information and data through the distribution of questionnaire surveys, and analyzing the research data, it has been proven that the five independent variables mentioned above are closely related to the performer’s vocal technique processing and performance. On this basis, analyze the psychological process and individual psychological characteristics of vocal performers in the specific singing process, discuss the role of vocal performance psychology in performers’ practice and singing, and explain how to combine the principles and methods of vocal music psychology with vocal practice.
This study aims to conduct an in-depth exploration of the principles and methods of vocal music psychology, providing theoretical support and practical guidance for current vocal practice. Vocal practice requires continuous absorption of new theories, concepts, and methods in order to generate more high-level teaching and performance talents in the future world.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28678 Hold
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Barcode Call number Media type Location Section Status 32002000607672 SIU THE: SOLA-PhD-APC-2023-60 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607646 SIU THE: SOLA-PhD-APC-2023-60 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. The International Communication Strategy of Chinese Local Brands from the Perspective of Cross-Media Ecology / Erchen Li / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The International Communication Strategy of Chinese Local Brands from the Perspective of Cross-Media Ecology Material Type: printed text Authors: Erchen Li, Author ; Manoon Tho-ard, Associated Name ; Thanaphan Boonyarutkalin, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 147 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-58
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Branding (Marketing)
[LCSH]Communication
[LCSH]Digital media
[LCSH]Strategic planningKeywords: Brand internationalization, Cross-media ecology, Narrative strategy, Social construction Abstract: According to the "China Internet Advertising Development Report", the overall size of China's advertising market reached 867.4 billion yuan in 2019, accounting for 0.88% of the gross national product (GDP). As the world's second largest advertising market, China is rapidly becoming the largest advertising market. However, the popularity and reputation of Chinese companies and brands in the global market ecology are still relatively weak. As latecomers in the international market, Chinese companies have relatively weak comprehensive strength. To a certain extent, they are affected by the negative image of the foreign country of origin and the narrative strategy of a single brand. On the other hand, for a large and complete industrial ecosystem, its front-end commercial marketing He brand operation and maintenance is faced with problems such as a single narrative framework, lack of high-quality content, lack of coordination in cross-media practices, and lack of sustainability in user migration, resulting in the potential of China's excellent traditional culture not being rationally developed. In this context, this study focuses on problem orientation, mainly adopts qualitative research methods, and conducts investigation and research on two samples of business owners and consumer groups. Starting from the contradictions and conflicts in reality, it seeks theoretical integration points for interpretation. Aiming at the current difficulties and problems in the international communication of Chinese corporate brands and IP construction and operation, from the perspective of cross-media narrative, by promoting social movement theory, framework connection strategies and cultural value consumption incentives, it explores Chinese corporate the direction and strategy of brand international communication systematic model innovation.
Through descriptive statistics and content analysis, combined with social movement and consensus theory from the perspective of social construction, and the reconstruction mechanism of IP brand value under the brand internationalization cross- media narrative, the research results are as follows:
First, the IPization of brands is a social community formed through media integration. Whether it is a domestic or international communication environment, the essence of brand IP operation is the social resonance of frame connection. Excellent brand IP itself is also the "attraction" and "catalyst" of cross-media integration. Second, as an important strategy for the improvement and innovation of brand IP construction and operation and maintenance models, cross-media narrative can promote the mutual integration between corporate brands and consumer groups, advertising creation agencies, media audiences, and media. Realize benign interaction and symbiosis with social culture, and promote the reconstruction of Chinese-style corporate brand IP operation value with unique cultural value. Third, the essence of a brand is to build an exclusive story world through products and culture. Therefore, exploring the narrative mechanism of the "story world" and "intertextuality" characteristics of cross-media narrative has special value and significance for the international communication, operation and maintenance of Chinese corporate brands.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28679 SIU Thesis. The International Communication Strategy of Chinese Local Brands from the Perspective of Cross-Media Ecology [printed text] / Erchen Li, Author ; Manoon Tho-ard, Associated Name ; Thanaphan Boonyarutkalin, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 147 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-58
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Branding (Marketing)
[LCSH]Communication
[LCSH]Digital media
[LCSH]Strategic planningKeywords: Brand internationalization, Cross-media ecology, Narrative strategy, Social construction Abstract: According to the "China Internet Advertising Development Report", the overall size of China's advertising market reached 867.4 billion yuan in 2019, accounting for 0.88% of the gross national product (GDP). As the world's second largest advertising market, China is rapidly becoming the largest advertising market. However, the popularity and reputation of Chinese companies and brands in the global market ecology are still relatively weak. As latecomers in the international market, Chinese companies have relatively weak comprehensive strength. To a certain extent, they are affected by the negative image of the foreign country of origin and the narrative strategy of a single brand. On the other hand, for a large and complete industrial ecosystem, its front-end commercial marketing He brand operation and maintenance is faced with problems such as a single narrative framework, lack of high-quality content, lack of coordination in cross-media practices, and lack of sustainability in user migration, resulting in the potential of China's excellent traditional culture not being rationally developed. In this context, this study focuses on problem orientation, mainly adopts qualitative research methods, and conducts investigation and research on two samples of business owners and consumer groups. Starting from the contradictions and conflicts in reality, it seeks theoretical integration points for interpretation. Aiming at the current difficulties and problems in the international communication of Chinese corporate brands and IP construction and operation, from the perspective of cross-media narrative, by promoting social movement theory, framework connection strategies and cultural value consumption incentives, it explores Chinese corporate the direction and strategy of brand international communication systematic model innovation.
Through descriptive statistics and content analysis, combined with social movement and consensus theory from the perspective of social construction, and the reconstruction mechanism of IP brand value under the brand internationalization cross- media narrative, the research results are as follows:
First, the IPization of brands is a social community formed through media integration. Whether it is a domestic or international communication environment, the essence of brand IP operation is the social resonance of frame connection. Excellent brand IP itself is also the "attraction" and "catalyst" of cross-media integration. Second, as an important strategy for the improvement and innovation of brand IP construction and operation and maintenance models, cross-media narrative can promote the mutual integration between corporate brands and consumer groups, advertising creation agencies, media audiences, and media. Realize benign interaction and symbiosis with social culture, and promote the reconstruction of Chinese-style corporate brand IP operation value with unique cultural value. Third, the essence of a brand is to build an exclusive story world through products and culture. Therefore, exploring the narrative mechanism of the "story world" and "intertextuality" characteristics of cross-media narrative has special value and significance for the international communication, operation and maintenance of Chinese corporate brands.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28679 Hold
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Barcode Call number Media type Location Section Status 32002000607670 SIU THE: SOLA-PhD-APC-2023-58 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607615 SIU THE: SOLA-PhD-APC-2023-58 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. The Performance Style of Baroque Keyboard Music / Juan Liu / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The Performance Style of Baroque Keyboard Music Material Type: printed text Authors: Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: xii, 223 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-62
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art, Baroque
[LCSH]Musical analysis -- Music collections
[LCSH]Performance art
[LCSH]Piano musicKeywords: Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, Abstract: The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work.
This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools.
Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents.Curricular : GE Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680 SIU Thesis. The Performance Style of Baroque Keyboard Music [printed text] / Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xii, 223 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-62
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art, Baroque
[LCSH]Musical analysis -- Music collections
[LCSH]Performance art
[LCSH]Piano musicKeywords: Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, Abstract: The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work.
This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools.
Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents.Curricular : GE Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680 Hold
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Barcode Call number Media type Location Section Status 32002000607643 SIU THE: SOLA-PhD-APC-2023-62 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607607 SIU THE: SOLA-PhD-APC-2023-62 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Western Classical Piano Performance based on the Perspective of Hermeneutics / Wandi Wang / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Western Classical Piano Performance based on the Perspective of Hermeneutics Material Type: printed text Authors: Wandi Wang, Author ; Palphol Rodloytuk, Associated Name ; Thanaphan Boonyarutkalin, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 237 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-54
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Hermeneutics
[LCSH]Performance art
[LCSH]Piano musicKeywords: Western Classical Piano Performance, Hermeneutics Abstract: In recent years, domestic scholars have a further discussion on western classical piano interpretation. They have paid attention to the music works, and the theoretical significance of methodology. In a word, they think that the understanding and interpretation of piano is important in the research of piano performance. Therefore, this paper takes western classical piano performance as the research object. Based on the music philosophy of hermeneutics, this paper illustrates the performance of western classical music, and explores towards more closely match the creative intention and emotional expression of classical composers in the second creation of piano performance, so as to find the best way of performance. From the perspective of hermeneutics, this paper would expound the development and evolution of hermeneutics in the field of music performance. The main background of this paper is the development and evolution of hermeneutics in the field of music performance.
This paper takes western classical piano performance as the research object, and analyzes and studies western classical piano from the perspective of hermeneutics. This paper includes the form of western classical music, the characteristics of piano performance, and the analysis of works performance. From the perspective of hermeneutics, the research on western classical piano should turn to the study on classical piano music form, such as performing way, effect, style characteristics of the classical piano.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28682 SIU Thesis. Western Classical Piano Performance based on the Perspective of Hermeneutics [printed text] / Wandi Wang, Author ; Palphol Rodloytuk, Associated Name ; Thanaphan Boonyarutkalin, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 237 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-54
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Hermeneutics
[LCSH]Performance art
[LCSH]Piano musicKeywords: Western Classical Piano Performance, Hermeneutics Abstract: In recent years, domestic scholars have a further discussion on western classical piano interpretation. They have paid attention to the music works, and the theoretical significance of methodology. In a word, they think that the understanding and interpretation of piano is important in the research of piano performance. Therefore, this paper takes western classical piano performance as the research object. Based on the music philosophy of hermeneutics, this paper illustrates the performance of western classical music, and explores towards more closely match the creative intention and emotional expression of classical composers in the second creation of piano performance, so as to find the best way of performance. From the perspective of hermeneutics, this paper would expound the development and evolution of hermeneutics in the field of music performance. The main background of this paper is the development and evolution of hermeneutics in the field of music performance.
This paper takes western classical piano performance as the research object, and analyzes and studies western classical piano from the perspective of hermeneutics. This paper includes the form of western classical music, the characteristics of piano performance, and the analysis of works performance. From the perspective of hermeneutics, the research on western classical piano should turn to the study on classical piano music form, such as performing way, effect, style characteristics of the classical piano.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28682 Hold
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Copies
Barcode Call number Media type Location Section Status 32002000607585 SIU THE: SOLA-PhD-APC-2023-54 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607545 SIU THE: SOLA-PhD-APC-2023-54 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available