| Collection Title: | SIU Thesis | | Title : | Mechanism of Anime Production and Operation Processes: An Application of Peirce’s Semiotic Theory | | Material Type: | printed text | | Authors: | Sicong Wang, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name | | Publisher: | Pathumthani: Shinawatra University | | Publication Date: | 2023 | | Pagination: | viii, 119 p. | | Layout: | Tables, ill | | Size: | 30 cm. | | Price: | 500.00 Baht | | General note: | SIU THE: SOLA-PhD-SCS-2023-18
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023 | | Languages : | Thai (tha) | | Descriptors: | [LCSH]Animation (Cinematography)
[LCSH]Semiotics
| | Keywords: | Semiotics,
Anime,
Mechanism,
Operation,
Anime production work flow, | | Abstract: | Anime is an art form that has been accepted and being enjoyed by more and more people in recent years. It is its unique sign form of using crafted images instead of filming real people that gives the audience special viewing experience. Such unique sign form is produced by creators and received by the audience through a series of sign processes, which has its own characteristics.
The aim of this research is to investigate the nature of anime during production; to determine whether and how the production procedure affects the final anime signs; and to figure out whether audience’s interpretation of a sign is similar to or different from the meaning originally assigned by the creator, and if so, in what manner.
In this current research, documentary analysis is carried out in order to investigate the nature and workflow of anime. An observation is applied with the purpose to gather the production of anime together with creators’ thought process and audience’s reaction to the produced anime. Three groups of creators, therefore, are observed and video recorded while they are creating their anime. An interview is applied to collect audience’s reactions towards the work of the other groups. Comparative analysis is applied to recognize the production procedure, and the job of creators.
It was found that qualified anime works are consisted of signs that have clear forms and meanings that could easily be understood by audience. From semiotics’ perspective, the production of anime is the production of sign. By building Firstness, Secondness and Thirdness, the whole production process can be regarded as a series of semiosis under control. The operation of anime is also the process of semiosis, mainly reflecting the nature that different interpreters may interpret the same sign in different ways.
| | Curricular : | BALA/GE/MTEIL | | Record link: | http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28650 |
SIU Thesis. Mechanism of Anime Production and Operation Processes: An Application of Peirce’s Semiotic Theory [printed text] / Sicong Wang, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 119 p. : Tables, ill ; 30 cm. 500.00 Baht SIU THE: SOLA-PhD-SCS-2023-18
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023 Languages : Thai ( tha) | Descriptors: | [LCSH]Animation (Cinematography)
[LCSH]Semiotics
| | Keywords: | Semiotics,
Anime,
Mechanism,
Operation,
Anime production work flow, | | Abstract: | Anime is an art form that has been accepted and being enjoyed by more and more people in recent years. It is its unique sign form of using crafted images instead of filming real people that gives the audience special viewing experience. Such unique sign form is produced by creators and received by the audience through a series of sign processes, which has its own characteristics.
The aim of this research is to investigate the nature of anime during production; to determine whether and how the production procedure affects the final anime signs; and to figure out whether audience’s interpretation of a sign is similar to or different from the meaning originally assigned by the creator, and if so, in what manner.
In this current research, documentary analysis is carried out in order to investigate the nature and workflow of anime. An observation is applied with the purpose to gather the production of anime together with creators’ thought process and audience’s reaction to the produced anime. Three groups of creators, therefore, are observed and video recorded while they are creating their anime. An interview is applied to collect audience’s reactions towards the work of the other groups. Comparative analysis is applied to recognize the production procedure, and the job of creators.
It was found that qualified anime works are consisted of signs that have clear forms and meanings that could easily be understood by audience. From semiotics’ perspective, the production of anime is the production of sign. By building Firstness, Secondness and Thirdness, the whole production process can be regarded as a series of semiosis under control. The operation of anime is also the process of semiosis, mainly reflecting the nature that different interpreters may interpret the same sign in different ways.
| | Curricular : | BALA/GE/MTEIL | | Record link: | http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28650 |
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