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Author Dechsubha Thawascha
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Add the result to your basket Make a suggestion Refine your search Apply to external sourcesSIU Thesis. The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project / Shan Zhao / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project Material Type: printed text Authors: Shan Zhao, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: xiv, 315 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-21
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art museums -- China -- Li Xiongcai
[LCSH]Museums -- Educational aspectsKeywords: Museum,
Art Museum,
University Museum,
University Art Museum,
Art Museums Collections Survey,
Collection In University Art Museums,
Research In University Art Museums,
Education In University Art, Museums,
Li Xiongcai (1910-2001),
Li Xiongcai Art Research ProjectAbstract: If a national museum represents the country's past and civilization, then a university art museum represents the University's heritage and aesthetic heights. The Lingnan Painting School Memorial Hall, as one of the museum groups of Guangzhou Academy of Fine Arts, was established in 1991. Different from other professional museums, the Lingnan Painting School Memorial Hall chose a different path and made contributions to the local art history. For many years, the hall has explored the collection, research, and teaching resources of the Lingnan Painting School. The most representative case is the "Li Xiongcai Art Research Project" that started in 2007.
In the era of the global art museum explosion, university art museums need to think about independent operating models. The research objectives of this thesis are to investigate the situation of university art museums in the relevant documents of the Chinese government, collect and analyze the operating systems' data of typical university art museums, and use the Li Xiongcai Art Research Project as a case to showcase the advantages of a university art museum's operating system.
The samples were selected using purposive sampling of non-probability sampling method. The instruments of this study were document research and textual analysis.
Population And Sample Scope: In the years 2010-2021, 124 documents were officially mentioned on the website of the Chinese government. Network data of 5 domestic university art museums in China in the years 2019-2021 were also collected. Data related to the Li Xiongcai Art Research Project, including the positioning of the Lingnan Painting School Memorial Hall, planning, process, and results of the Li Xiongcai art research project were collected for the years 2007-2012. Additionally, 7014 different theme data were screened and combined.
Results: Although the Chinese government provided economic support, defined concepts, guided collection and exhibition, and attempted to conduct quantitative statistics for university art museums, the complex situation made it difficult to accurately count the data of university art museums. Based on their long history, many university art museums in China had a higher number of collections than other art museums established later. The data showed that five university art galleries made efforts in various aspects of collection, research, and education. The successful model of the Li Xiongcai Art Research Project, which integrated collection, research, and education, could be replicated and had a long-lasting and widespread influence.
Conclusions and recommendations: Despite the efforts made by Chinese government departments to support various aspects of university art museums, university art museums should actively seek more government support. While university art museums have made continuous contributions to collection, research, and education for many years, their primary service is teaching, and they should lead public education alongside elite education. The operational model of Li Xiongcai's art research demonstrates the advantages of the Lingnan Painting School Memorial Hall. The university art museum should be able to produce more new knowledge based on the experience of the Li Xiongcai Art Research Project.Curricular : BALA/GE/MTEIL/PhDSCS Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28652 SIU Thesis. The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project [printed text] / Shan Zhao, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xiv, 315 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-21
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art museums -- China -- Li Xiongcai
[LCSH]Museums -- Educational aspectsKeywords: Museum,
Art Museum,
University Museum,
University Art Museum,
Art Museums Collections Survey,
Collection In University Art Museums,
Research In University Art Museums,
Education In University Art, Museums,
Li Xiongcai (1910-2001),
Li Xiongcai Art Research ProjectAbstract: If a national museum represents the country's past and civilization, then a university art museum represents the University's heritage and aesthetic heights. The Lingnan Painting School Memorial Hall, as one of the museum groups of Guangzhou Academy of Fine Arts, was established in 1991. Different from other professional museums, the Lingnan Painting School Memorial Hall chose a different path and made contributions to the local art history. For many years, the hall has explored the collection, research, and teaching resources of the Lingnan Painting School. The most representative case is the "Li Xiongcai Art Research Project" that started in 2007.
In the era of the global art museum explosion, university art museums need to think about independent operating models. The research objectives of this thesis are to investigate the situation of university art museums in the relevant documents of the Chinese government, collect and analyze the operating systems' data of typical university art museums, and use the Li Xiongcai Art Research Project as a case to showcase the advantages of a university art museum's operating system.
The samples were selected using purposive sampling of non-probability sampling method. The instruments of this study were document research and textual analysis.
Population And Sample Scope: In the years 2010-2021, 124 documents were officially mentioned on the website of the Chinese government. Network data of 5 domestic university art museums in China in the years 2019-2021 were also collected. Data related to the Li Xiongcai Art Research Project, including the positioning of the Lingnan Painting School Memorial Hall, planning, process, and results of the Li Xiongcai art research project were collected for the years 2007-2012. Additionally, 7014 different theme data were screened and combined.
Results: Although the Chinese government provided economic support, defined concepts, guided collection and exhibition, and attempted to conduct quantitative statistics for university art museums, the complex situation made it difficult to accurately count the data of university art museums. Based on their long history, many university art museums in China had a higher number of collections than other art museums established later. The data showed that five university art galleries made efforts in various aspects of collection, research, and education. The successful model of the Li Xiongcai Art Research Project, which integrated collection, research, and education, could be replicated and had a long-lasting and widespread influence.
Conclusions and recommendations: Despite the efforts made by Chinese government departments to support various aspects of university art museums, university art museums should actively seek more government support. While university art museums have made continuous contributions to collection, research, and education for many years, their primary service is teaching, and they should lead public education alongside elite education. The operational model of Li Xiongcai's art research demonstrates the advantages of the Lingnan Painting School Memorial Hall. The university art museum should be able to produce more new knowledge based on the experience of the Li Xiongcai Art Research Project.Curricular : BALA/GE/MTEIL/PhDSCS Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28652 Hold
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Barcode Call number Media type Location Section Status 32002000607756 SIU THE: SOLA-PhD-SCS-2023-21 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607616 SIU THE: SOLA-PhD-SCS-2023-21 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
Collection Title: SIU Thesis Title : Analysis of the Artistic Style of Modern Guangdong Female Calligraphers Material Type: printed text Authors: Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 300 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 SIU Thesis. Analysis of the Artistic Style of Modern Guangdong Female Calligraphers [printed text] / Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 300 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 Hold
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Barcode Call number Media type Location Section Status 32002000607747 SIU THE: SOLA-PhD-SCS-2023-32 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607709 SIU THE: SOLA-PhD-SCS-2023-32 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
Collection Title: SIU Thesis Title : The Development of Lacquer Art Creation Language in Contemporary China Material Type: printed text Authors: Bangliang Yao, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 112 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-25
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Arts and Crafts Movement
[LCSH]Lacquer and lacquering -- China
[LCSH]Language and languages
[LCSH]Semantics -- psychological aspectsKeywords: Contemporary Lacquer Art,
Creative Language,
Development Trend,
Traditional Arts and CraftsAbstract: This study takes "Research on the development of contemporary lacquer art creation language" as the topic, discusses the development trend and characteristics of contemporary lacquer art creation language, and uses the method of literature, interview and empirical research to conduct in-depth research. It is found that the development of contemporary lacquer art creation language presents the following characteristics: first, diversified, artists have made a variety of experimental attempts on the basis of traditional lacquer art techniques; The other is avant-garde. Some artists try to express their personal opinions and social problems through lacquer art. Third, it is transboundary. Some artists combine lacquer art with other media to present new visual effects and forms of expression.
Traditional arts and crafts play an important role in the contemporary lacquer art creation language, inheriting the traditional techniques and artistic styles of ancient lacquer ware making, and providing an important reference and inspiration for the contemporary lacquer art creation. The evaluation system of contemporary art can learn from the theories and methods of western modern art and examine the artistry and culture of contemporary lacquer art from a diversified perspective. In the future, the development trend of contemporary lacquer art creation language will continue to show the characteristics of diversification, avant-garde and trans-boundary, and will also pay more attention to the expression of artists' personalities and the embodiment of social significance.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28656 SIU Thesis. The Development of Lacquer Art Creation Language in Contemporary China [printed text] / Bangliang Yao, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 112 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-25
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Arts and Crafts Movement
[LCSH]Lacquer and lacquering -- China
[LCSH]Language and languages
[LCSH]Semantics -- psychological aspectsKeywords: Contemporary Lacquer Art,
Creative Language,
Development Trend,
Traditional Arts and CraftsAbstract: This study takes "Research on the development of contemporary lacquer art creation language" as the topic, discusses the development trend and characteristics of contemporary lacquer art creation language, and uses the method of literature, interview and empirical research to conduct in-depth research. It is found that the development of contemporary lacquer art creation language presents the following characteristics: first, diversified, artists have made a variety of experimental attempts on the basis of traditional lacquer art techniques; The other is avant-garde. Some artists try to express their personal opinions and social problems through lacquer art. Third, it is transboundary. Some artists combine lacquer art with other media to present new visual effects and forms of expression.
Traditional arts and crafts play an important role in the contemporary lacquer art creation language, inheriting the traditional techniques and artistic styles of ancient lacquer ware making, and providing an important reference and inspiration for the contemporary lacquer art creation. The evaluation system of contemporary art can learn from the theories and methods of western modern art and examine the artistry and culture of contemporary lacquer art from a diversified perspective. In the future, the development trend of contemporary lacquer art creation language will continue to show the characteristics of diversification, avant-garde and trans-boundary, and will also pay more attention to the expression of artists' personalities and the embodiment of social significance.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28656 Hold
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Barcode Call number Media type Location Section Status 32002000607703 SIU THE: SOLA-PhD-SCS-2023-25 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607719 SIU THE: SOLA-PhD-SCS-2023-25 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
Collection Title: SIU Thesis Title : The Influence of Multicultural Background on the Cognitive Differences of Chinese Calligraphy Material Type: printed text Authors: Yini Wu, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: vi, 123 p. Layout: ill. Size: 30 cm. Price: 500.00 Baht General note: SIU THE: SOLA-PhD-SCS-2023-22
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Calligraphy -- Chinese
[LCSH]Multicultural education
[LCSH]MulticulturalismKeywords: Multicultural,
Chinese CalligraphyAbstract: The primary objective of a character is to communicate, so it must be recognizable so it will be effective. Using knowledge structures that affect therapeutic outcomes, this research aims to explore how Chinese calligraphy can be used for cross-cultural communication by presenting objects in different contexts. A study of calligraphy through an aesthetic process is the goal of the project. It has been demonstrated that calligraphic effects are significantly influenced by topological and gestalt properties of the writing content. In practice, users' perception, cognition, and neurophysiology have been observed to be influenced by Chinese characters' visual-spatial properties. By integrating sensory, bio-emotional, and cognitive feedback, Cybernetic Theory can generate dynamic graphics through a multi feedback-based behavior system that will provide the theoretical foundation for this study. Depending on the concepts, knowledge levels, and relationship with the person being evaluated, evaluation subjects produce different results. The factors that influence evaluation subjects are divided into two categories, the relationship between evaluation subjects and evaluation objects, or interest correlation; and the relationship between the evaluation subject and its evaluation content, or its structure of knowledge. When evaluating something, a person must establish psychological value judgment standards based on the way they understand the item. Through the analysis of equal symbols interpreted differently by Chinese cultures, this study explores cross-cultural communication via a variety of knowledge structures. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28653 SIU Thesis. The Influence of Multicultural Background on the Cognitive Differences of Chinese Calligraphy [printed text] / Yini Wu, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - vi, 123 p. : ill. ; 30 cm.
500.00 Baht
SIU THE: SOLA-PhD-SCS-2023-22
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Calligraphy -- Chinese
[LCSH]Multicultural education
[LCSH]MulticulturalismKeywords: Multicultural,
Chinese CalligraphyAbstract: The primary objective of a character is to communicate, so it must be recognizable so it will be effective. Using knowledge structures that affect therapeutic outcomes, this research aims to explore how Chinese calligraphy can be used for cross-cultural communication by presenting objects in different contexts. A study of calligraphy through an aesthetic process is the goal of the project. It has been demonstrated that calligraphic effects are significantly influenced by topological and gestalt properties of the writing content. In practice, users' perception, cognition, and neurophysiology have been observed to be influenced by Chinese characters' visual-spatial properties. By integrating sensory, bio-emotional, and cognitive feedback, Cybernetic Theory can generate dynamic graphics through a multi feedback-based behavior system that will provide the theoretical foundation for this study. Depending on the concepts, knowledge levels, and relationship with the person being evaluated, evaluation subjects produce different results. The factors that influence evaluation subjects are divided into two categories, the relationship between evaluation subjects and evaluation objects, or interest correlation; and the relationship between the evaluation subject and its evaluation content, or its structure of knowledge. When evaluating something, a person must establish psychological value judgment standards based on the way they understand the item. Through the analysis of equal symbols interpreted differently by Chinese cultures, this study explores cross-cultural communication via a variety of knowledge structures. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28653 Hold
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Barcode Call number Media type Location Section Status 32002000607720 SIU THE: SOLA-PhD-SCS-2023-22 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607744 SIU THE: SOLA-PhD-SCS-2023-22 c.1 SIU Thesis and Dissertation Main Library Thesis Corner Available
Collection Title: SIU Thesis Title : The Influence of Painting Copying and Teaching by Copying Traditional Chinese Figure Painting Material Type: printed text Authors: Jiahui Liang, Author ; Supath Kookiattikoon, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: vi, 184 p. Layout: Tables, ill Size: 30 cm. Price: 500.00 Baht General note: SIU THE: SOLA-PhD-SCS-2023-24
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Painting, Chinese
[LCSH]teaching, ChineseKeywords: Copying of ancient Chinese paintings, Paintings,
Painting Education,
Chinese ancient figure paintings,
Art educationAbstract: Many famous Chinese painters have teaching experience in schools, and teachers at the China Academy of Art are not only teachers but also painters. In teaching and creating, copying ancient Chinese paintings can deepen the research on ancient art and greatly help in education and creation. We must record these things and leave them to future generations. This is also the task that educators should accomplish.
This paper is mainly divided into five chapters. The first chapter discusses the research background and significance of the research objectives, introducing the general situation of such a topic. The second chapter introduces the development and evolution of Chinese and ancient paintings, especially the picture of old figures and related processes. The third chapter analyzes and organizes the relevant collected data. Finally, the fourth chapter summarizes and reflects on the final development of copying ancient figure paintings and the paper's main themes.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28649 SIU Thesis. The Influence of Painting Copying and Teaching by Copying Traditional Chinese Figure Painting [printed text] / Jiahui Liang, Author ; Supath Kookiattikoon, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - vi, 184 p. : Tables, ill ; 30 cm.
500.00 Baht
SIU THE: SOLA-PhD-SCS-2023-24
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Painting, Chinese
[LCSH]teaching, ChineseKeywords: Copying of ancient Chinese paintings, Paintings,
Painting Education,
Chinese ancient figure paintings,
Art educationAbstract: Many famous Chinese painters have teaching experience in schools, and teachers at the China Academy of Art are not only teachers but also painters. In teaching and creating, copying ancient Chinese paintings can deepen the research on ancient art and greatly help in education and creation. We must record these things and leave them to future generations. This is also the task that educators should accomplish.
This paper is mainly divided into five chapters. The first chapter discusses the research background and significance of the research objectives, introducing the general situation of such a topic. The second chapter introduces the development and evolution of Chinese and ancient paintings, especially the picture of old figures and related processes. The third chapter analyzes and organizes the relevant collected data. Finally, the fourth chapter summarizes and reflects on the final development of copying ancient figure paintings and the paper's main themes.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28649 Hold
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Barcode Call number Media type Location Section Status 32002000607588 SIU THE: SOLA-PhD-SCS-2023-24 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607570 SIU THE: SOLA-PhD-SCS-2023-24 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
Collection Title: SIU Thesis Title : Mechanism of Anime Production and Operation Processes: An Application of Peirce’s Semiotic Theory Material Type: printed text Authors: Sicong Wang, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 119 p. Layout: Tables, ill Size: 30 cm. Price: 500.00 Baht General note: SIU THE: SOLA-PhD-SCS-2023-18
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : Thai (tha) Descriptors: [LCSH]Animation (Cinematography)
[LCSH]SemioticsKeywords: Semiotics,
Anime,
Mechanism,
Operation,
Anime production work flow,Abstract: Anime is an art form that has been accepted and being enjoyed by more and more people in recent years. It is its unique sign form of using crafted images instead of filming real people that gives the audience special viewing experience. Such unique sign form is produced by creators and received by the audience through a series of sign processes, which has its own characteristics.
The aim of this research is to investigate the nature of anime during production; to determine whether and how the production procedure affects the final anime signs; and to figure out whether audience’s interpretation of a sign is similar to or different from the meaning originally assigned by the creator, and if so, in what manner.
In this current research, documentary analysis is carried out in order to investigate the nature and workflow of anime. An observation is applied with the purpose to gather the production of anime together with creators’ thought process and audience’s reaction to the produced anime. Three groups of creators, therefore, are observed and video recorded while they are creating their anime. An interview is applied to collect audience’s reactions towards the work of the other groups. Comparative analysis is applied to recognize the production procedure, and the job of creators.
It was found that qualified anime works are consisted of signs that have clear forms and meanings that could easily be understood by audience. From semiotics’ perspective, the production of anime is the production of sign. By building Firstness, Secondness and Thirdness, the whole production process can be regarded as a series of semiosis under control. The operation of anime is also the process of semiosis, mainly reflecting the nature that different interpreters may interpret the same sign in different ways.
Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28650 SIU Thesis. Mechanism of Anime Production and Operation Processes: An Application of Peirce’s Semiotic Theory [printed text] / Sicong Wang, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 119 p. : Tables, ill ; 30 cm.
500.00 Baht
SIU THE: SOLA-PhD-SCS-2023-18
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : Thai (tha)
Descriptors: [LCSH]Animation (Cinematography)
[LCSH]SemioticsKeywords: Semiotics,
Anime,
Mechanism,
Operation,
Anime production work flow,Abstract: Anime is an art form that has been accepted and being enjoyed by more and more people in recent years. It is its unique sign form of using crafted images instead of filming real people that gives the audience special viewing experience. Such unique sign form is produced by creators and received by the audience through a series of sign processes, which has its own characteristics.
The aim of this research is to investigate the nature of anime during production; to determine whether and how the production procedure affects the final anime signs; and to figure out whether audience’s interpretation of a sign is similar to or different from the meaning originally assigned by the creator, and if so, in what manner.
In this current research, documentary analysis is carried out in order to investigate the nature and workflow of anime. An observation is applied with the purpose to gather the production of anime together with creators’ thought process and audience’s reaction to the produced anime. Three groups of creators, therefore, are observed and video recorded while they are creating their anime. An interview is applied to collect audience’s reactions towards the work of the other groups. Comparative analysis is applied to recognize the production procedure, and the job of creators.
It was found that qualified anime works are consisted of signs that have clear forms and meanings that could easily be understood by audience. From semiotics’ perspective, the production of anime is the production of sign. By building Firstness, Secondness and Thirdness, the whole production process can be regarded as a series of semiosis under control. The operation of anime is also the process of semiosis, mainly reflecting the nature that different interpreters may interpret the same sign in different ways.
Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28650 Hold
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Barcode Call number Media type Location Section Status 32002000607571 SIU THE: SOLA-PhD-SCS-2023-18 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607596 SIU THE: SOLA-PhD-SCS-2023-18 c.1 SIU Thesis and Dissertation Main Library Thesis Corner Available
Collection Title: SIU Thesis Title : The Three-Level Interactions of China Standard of English Language Ability to Its Environment from Ecosemiotics Material Type: printed text Authors: Wei Tian, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 170 p. Layout: Tables, ill Size: 30 cm. Price: 1000,00 General note: SIU THE: SOLA-PhD-SCS-2023-27
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]English language -- Study and teaching -- China
[LCSH]Language and languages
[LCSH]SemioticsKeywords: China’s Standards of English Language Ability,
Interaction,
Ecosemiotics,
Micro level,
Meso level,
Macro levelAbstract: This research takes China’s Standards of English Language Ability (the CSE) as a subject of its eco-system and explored its interaction with factors in its umwelt (environment) from perspective of eco-semiotics on three levels, which takes the faucets in the umwelt of the CSE as orderly arranged from micro scope (the CSE itself, the researchers, the teachers, the learners and the translators and interpreters), meso scope (schools, social communities, training agencies, employers and language services) and macro scope (local government, state government and even the world).
By using methods of corpus-based analysis, literature review and semi-structured interview, the CSE 86 scales are analyzed to find what are concerned while CSE is used in evaluating learners’ language ability by observing 11 key nouns used to define language proficiency; literatures are categorized into application and development by years to analyze and semi-structured interviews are done and transcripts are coded and analyzed to support the analysis. The interaction the CSE made to elements at three levels in its environment is analyzed and found that the CSE tried to evaluate learners’ English proficiency from some keywords like ‘information’, ‘topics’, ‘sentences’; the CSE gained well interaction at micro level; the CSE didn’t get enough attention at meso level; and the CSE gained much attention from state government and world but not much attention from local government. In order to gain further development, the CSE should be developed and applied at every level.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28658 SIU Thesis. The Three-Level Interactions of China Standard of English Language Ability to Its Environment from Ecosemiotics [printed text] / Wei Tian, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 170 p. : Tables, ill ; 30 cm.
1000,00
SIU THE: SOLA-PhD-SCS-2023-27
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]English language -- Study and teaching -- China
[LCSH]Language and languages
[LCSH]SemioticsKeywords: China’s Standards of English Language Ability,
Interaction,
Ecosemiotics,
Micro level,
Meso level,
Macro levelAbstract: This research takes China’s Standards of English Language Ability (the CSE) as a subject of its eco-system and explored its interaction with factors in its umwelt (environment) from perspective of eco-semiotics on three levels, which takes the faucets in the umwelt of the CSE as orderly arranged from micro scope (the CSE itself, the researchers, the teachers, the learners and the translators and interpreters), meso scope (schools, social communities, training agencies, employers and language services) and macro scope (local government, state government and even the world).
By using methods of corpus-based analysis, literature review and semi-structured interview, the CSE 86 scales are analyzed to find what are concerned while CSE is used in evaluating learners’ language ability by observing 11 key nouns used to define language proficiency; literatures are categorized into application and development by years to analyze and semi-structured interviews are done and transcripts are coded and analyzed to support the analysis. The interaction the CSE made to elements at three levels in its environment is analyzed and found that the CSE tried to evaluate learners’ English proficiency from some keywords like ‘information’, ‘topics’, ‘sentences’; the CSE gained well interaction at micro level; the CSE didn’t get enough attention at meso level; and the CSE gained much attention from state government and world but not much attention from local government. In order to gain further development, the CSE should be developed and applied at every level.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28658 Hold
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Barcode Call number Media type Location Section Status 32002000607693 SIU THE: SOLA-PhD-SCS-2023-27 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607701 SIU THE: SOLA-PhD-SCS-2023-27 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
