SIU Thesis. The Performance Style of Baroque Keyboard Music / Juan Liu / Pathumthani: Shinawatra University - 2023

Public ISBD No review available on this record. Collection Title: SIU Thesis Title : The Performance Style of Baroque Keyboard Music Material Type: printed text Authors: Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: xii, 223 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-62 Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 Languages : English (eng) Descriptors: [LCSH]Art, Baroque [LCSH]Musical analysis -- Music collections [LCSH]Performance art [LCSH]Piano music Keywords: Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, Abstract: The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work. This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools. Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents. Curricular : GE Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680 SIU Thesis. The Performance Style of Baroque Keyboard Music [printed text] / Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xii, 223 p. : Tables, ill. ; 30 cm. 1,000.00 Baht. SIU THE: SOLA-PhD-APC-2023-62 Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 Languages : English (eng) Descriptors: [LCSH]Art, Baroque [LCSH]Musical analysis -- Music collections [LCSH]Performance art [LCSH]Piano music Keywords: Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, Abstract: The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work. This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools. Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents. Curricular : GE Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680

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Barcode	Call number	Media type	Location	Section	Status
32002000607643	SIU THE: SOLA-PhD-APC-2023-62 c.1	SIU Thesis and Dissertation	Graduate Library	Thesis Corner	Available
32002000607607	SIU THE: SOLA-PhD-APC-2023-62 c.2	SIU Thesis and Dissertation	Graduate Library	Thesis Corner	Available

SIU Thesis. Western Classical Piano Performance based on the Perspective of Hermeneutics / Wandi Wang / Pathumthani: Shinawatra University - 2023

Public ISBD No review available on this record. Collection Title: SIU Thesis Title : Western Classical Piano Performance based on the Perspective of Hermeneutics Material Type: printed text Authors: Wandi Wang, Author ; Palphol Rodloytuk, Associated Name ; Thanaphan Boonyarutkalin, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 237 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-54 Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 Languages : English (eng) Descriptors: [LCSH]Hermeneutics [LCSH]Performance art [LCSH]Piano music Keywords: Western Classical Piano Performance, Hermeneutics Abstract: In recent years, domestic scholars have a further discussion on western classical piano interpretation. They have paid attention to the music works, and the theoretical significance of methodology. In a word, they think that the understanding and interpretation of piano is important in the research of piano performance. Therefore, this paper takes western classical piano performance as the research object. Based on the music philosophy of hermeneutics, this paper illustrates the performance of western classical music, and explores towards more closely match the creative intention and emotional expression of classical composers in the second creation of piano performance, so as to find the best way of performance. From the perspective of hermeneutics, this paper would expound the development and evolution of hermeneutics in the field of music performance. The main background of this paper is the development and evolution of hermeneutics in the field of music performance. This paper takes western classical piano performance as the research object, and analyzes and studies western classical piano from the perspective of hermeneutics. This paper includes the form of western classical music, the characteristics of piano performance, and the analysis of works performance. From the perspective of hermeneutics, the research on western classical piano should turn to the study on classical piano music form, such as performing way, effect, style characteristics of the classical piano. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28682 SIU Thesis. Western Classical Piano Performance based on the Perspective of Hermeneutics [printed text] / Wandi Wang, Author ; Palphol Rodloytuk, Associated Name ; Thanaphan Boonyarutkalin, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 237 p. : Tables, ill. ; 30 cm. 1,000.00 Baht. SIU THE: SOLA-PhD-APC-2023-54 Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 Languages : English (eng) Descriptors: [LCSH]Hermeneutics [LCSH]Performance art [LCSH]Piano music Keywords: Western Classical Piano Performance, Hermeneutics Abstract: In recent years, domestic scholars have a further discussion on western classical piano interpretation. They have paid attention to the music works, and the theoretical significance of methodology. In a word, they think that the understanding and interpretation of piano is important in the research of piano performance. Therefore, this paper takes western classical piano performance as the research object. Based on the music philosophy of hermeneutics, this paper illustrates the performance of western classical music, and explores towards more closely match the creative intention and emotional expression of classical composers in the second creation of piano performance, so as to find the best way of performance. From the perspective of hermeneutics, this paper would expound the development and evolution of hermeneutics in the field of music performance. The main background of this paper is the development and evolution of hermeneutics in the field of music performance. This paper takes western classical piano performance as the research object, and analyzes and studies western classical piano from the perspective of hermeneutics. This paper includes the form of western classical music, the characteristics of piano performance, and the analysis of works performance. From the perspective of hermeneutics, the research on western classical piano should turn to the study on classical piano music form, such as performing way, effect, style characteristics of the classical piano. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28682

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Barcode	Call number	Media type	Location	Section	Status
32002000607585	SIU THE: SOLA-PhD-APC-2023-54 c.1	SIU Thesis and Dissertation	Graduate Library	Thesis Corner	Available
32002000607545	SIU THE: SOLA-PhD-APC-2023-54 c.2	SIU Thesis and Dissertation	Graduate Library	Thesis Corner	Available