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Add the result to your basket Make a suggestion Refine your search Apply to external sourcesSIU Thesis. Analysis of the Artistic Style of Modern Guangdong Female Calligraphers / Yang Muzhen / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Analysis of the Artistic Style of Modern Guangdong Female Calligraphers Material Type: printed text Authors: Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 300 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 SIU Thesis. Analysis of the Artistic Style of Modern Guangdong Female Calligraphers [printed text] / Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 300 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 Hold
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Barcode Call number Media type Location Section Status 32002000607747 SIU THE: SOLA-PhD-SCS-2023-32 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607709 SIU THE: SOLA-PhD-SCS-2023-32 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
Collection Title: SIU Thesis Title : Exploring Su Liupeng's Figure Painting Material Type: printed text Authors: Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 178 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-29
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art -- China -- Guangdong
[LCSH]comparison
[LCSH]Figure painting
[LCSH]SemioticsKeywords: Figure Painting,
Su LiupengAbstract: The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657 SIU Thesis. Exploring Su Liupeng's Figure Painting [printed text] / Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 178 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-29
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art -- China -- Guangdong
[LCSH]comparison
[LCSH]Figure painting
[LCSH]SemioticsKeywords: Figure Painting,
Su LiupengAbstract: The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657 Hold
Place a hold on this item
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Barcode Call number Media type Location Section Status 32002000607702 SIU THE: SOLA-PhD-SCS-2023-29 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607685 SIU THE: SOLA-PhD-SCS-2023-29 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available
