| Collection Title: | SIU Thesis | | Title : | The Performance Style of Baroque Keyboard Music | | Material Type: | printed text | | Authors: | Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name | | Publisher: | Pathumthani: Shinawatra University | | Publication Date: | 2023 | | Pagination: | xii, 223 p. | | Layout: | Tables, ill. | | Size: | 30 cm. | | Price: | 1,000.00 Baht. | | General note: | SIU THE: SOLA-PhD-APC-2023-62
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 | | Languages : | English (eng) | | Descriptors: | [LCSH]Art, Baroque
[LCSH]Musical analysis -- Music collections
[LCSH]Performance art
[LCSH]Piano music
| | Keywords: | Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, | | Abstract: | The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work.
This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools.
Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents. | | Curricular : | GE | | Record link: | http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680 |
SIU Thesis. The Performance Style of Baroque Keyboard Music [printed text] / Juan Liu, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xii, 223 p. : Tables, ill. ; 30 cm. 1,000.00 Baht. SIU THE: SOLA-PhD-APC-2023-62
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023 Languages : English ( eng) | Descriptors: | [LCSH]Art, Baroque
[LCSH]Musical analysis -- Music collections
[LCSH]Performance art
[LCSH]Piano music
| | Keywords: | Baroque key music, Performance style, Harpsichord, Paino, Comparison of performance versions, | | Abstract: | The Baroque period was the first peak of western keyboard music, with the emergence of various forms of keyboard instruments, among which the harpsichord was the most representative, and gave birth to outstanding keyboard music composers such as Bach, Handel, F. Couperin, Rameau, Scarlatti and so on. With the decline of Baroque music and the emergence of piano, the harpsichord was also eliminated by history. In the 20th century, the harpsichord was rediscovered and became one of the important instruments for playing Baroque keyboard music. With the parallel development of the harpsichord and piano, there has been a dispute between “retro” and “modern” performance aesthetics. When playing Baroque keyboard music, which instrument to use has become an important issue. It is generally believed that the piano conforms to the aesthetic concept of modern people, and playing baroque keyboard music on the piano is conducive to the wide dissemination of these works; the harpsichord is of great significance to reproduce the original appearance of the work.
This paper takes the Retroalism and Modernism in the Baroque keyboard music performance as the main line, and uses qualitative and quantitative research to investigate the history and current situation of the current Baroque keyboard music performance style. Using the methods of literature research, historical research, music analysis, comparison and music aesthetics, this paper examines the style differences of various performance versions. Through the investigation and interview of piano learners, piano teachers, experts and professors, combined with the existing research results, this paper analyzes and discusses the performance style of Baroque keyboard music, the performance characteristics of harpsichord and piano in Baroque keyboard music, and the artistic and academic values of retro and modern schools.
Through analysis and comparison, the five independent variables of musical instrument, music score, historical view, performer and performance skill have obvious influence on performance style. In the practice of music, the selection and application of instruments, scores and playing techniques by retroalism and modernism are not completely opposite. The performance style of Baroque keyboard music presents a diversified scene in contemporary times. In view of the trend of the times, music schools in all regions of China should actively introduce the harpsichord, offer elective or specialized courses on harpsichord, study in depth the various performance styles of Baroque keyboard music, learn from the performance techniques of harpsichord, learn new musical performance concepts, constantly innovate performance styles, and cultivate diverse and high-level performance talents. | | Curricular : | GE | | Record link: | http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28680 |
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