Collection Title:	SIU Thesis
Title :	Exploring Su Liupeng's Figure Painting
Material Type:	printed text
Authors:	Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name
Publisher:	Pathumthani: Shinawatra University
Publication Date:	2023
Pagination:	ix, 178 p.
Layout:	Tables, ill.
Size:	30 cm.
Price:	1000.00 Baht.
General note:	SIU THE: SOLA-PhD-SCS-2023-29 Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages :	English (eng)
Descriptors:	[LCSH]Art -- China -- Guangdong [LCSH]comparison [LCSH]Figure painting [LCSH]Semiotics
Keywords:	Figure Painting, Su Liupeng
Abstract:	The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong.
Curricular :	BALA/GE/MTEIL
Record link:	http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657

SIU Thesis. Exploring Su Liupeng's Figure Painting [printed text] / Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 178 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-29
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)

Descriptors:	[LCSH]Art -- China -- Guangdong [LCSH]comparison [LCSH]Figure painting [LCSH]Semiotics
Keywords:	Figure Painting, Su Liupeng
Abstract:	The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong.
Curricular :	BALA/GE/MTEIL
Record link:	http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657